Live Concert Streaming: The End of The Show or A Great New Beginning?

Okay, I was skeptical of this concept when it first came out. Why would I want to watch a show online when I could go out and see one live? I still feel that what I love most about the live performance simply cannot come across through a video camera. I also feel that having a show streaming for all to see really takes something away from the people lucky enough to be there. But as I sit here giddy in my office chair watching my fave Chicago rockers, Empires, stream a performance live on www.audiotreemusic.com, I realize that I am slowly becoming a convert to these computer concerts.

Watching Empires rock out in a studio actually marks the third time I’ve sat in front of my computer to hear “live” music just in the past week or so. For the past several Sundays fellow Philly to LA transplant, George Stanford has broadcast live from his home, playing requests, chatting with anyone who comes into the chat room or just…talking. Also last week 2/3rds of TFDI, Matt Duke and Tony Lucca, did some video hobnobbing mixed with a few live tunes (again, mostly requests).

What I like about the current state of live music streaming is that is has evolved beyond a simple transmission of a concert. I’m watching Empires performing in a studio, something that would be nearly impossible in any other circumstance. I find myself excited to hear the band’s answers to questions ranging from the typical (what album has inspired you), the more interesting (describe being out on the road in two words), to the absurd (what color and shape would you be). I would be far less titillated by a previously recorded video, similar in nature. With the live stream, I feel an energy akin to watching a sporting event. I find myself anxious. What song will they play next? How silly will the next question be? How will everyone respond??

The unedited band interaction is also something that has previously been unique to a live concert experience. One of the reasons I love acts like TFDI, almost as much as the music itself, is the interaction between the artists. Seeing Tony and Matt’s playful banter as they respond to questions and play tunes captures an element of a live show that you don’t often get in a recording. The immediate fan to musician contact is also unique and exciting. Even at a live show you’re not going to get a hello from Tony’s adorable daughter, Sparrow, or Matt’s equally adorable, visually challenged cat. The chat service also connects fans from all over as they debate the best tune or live show while their favorite musician sings away.

So where is this all going? While I think that streaming live shows or having live chats with your favorite artists is veeery far away from replacing the actual event, I hope that it doesn’t deter people from going out and actually experiencing the music. I had someone remark recently that they were much happier watching Lady Gaga from the comforts of their home with their XL TV screen and surround sound than they would have been seeing the spectacle from a distance dealing with the crowds and the traffic. All this live streaming of major concert festivals like Coachella and Lollapalooza has allowed many people from all over the world to “attend” these events, but I’ve heard from avid concert goers that they now feel they never need to go to a festival again. Remarks like these concern me…

Another thing I’m unsure about is the new trend of having artist charge money for a “private” live show via the computer. Tickets for an online event? Really? Hrrrmm….  While I feel that this venue is great for getting the word out the about who you are and what you do, and I appreciate the artists’ ingenuity in finding a way to use technological advances to make money, I know I’m certainly not at the point where I’d be willing to pay for such an experience. I think asking for donations or whatnot is great, but I hope I never find myself wanting to buy a ticket for an online show.  I just see this going down a terrifying path into the depths of the haunted woods; dark shadows, spooky sounds, etc. etc. Maybe when I’m once again living in a music wasteland or in another year when selling tickets for online shows becomes the norm, I’ll change my tune, but for now, call me unnerved.

 

As long as it’s free and easy, however, I think I’m becoming a fan of these live events. While I would much prefer Empries’ front man, Sean Van Vleet, singing in my face and getting the opportunity to have a brief one-on-one conversation with guitarist/producer, Max Steger, after a show, I’d take this over nothing at all. Especially considering that the band is from Chicago and does not travel out to Los Angeles that often. I’m getting to hear new songs, I know which band member likes The Smashing Pumpkins and which considers himself a diamond…who likes to answer ridiculous questions and really who just wants to be out on the road…I find myself wishing more of my favorite bands, especially those stuck in distant cities, would do things like this (Philly bands do you hear me?).

While I’m still getting to know what sites are best for streaming and which bands put on the most ridiculous shows, here are a couple on my radar. I’m hoping to use this as another new way to both promote and discover great new music! Let me know if you have any suggestions…

 

Sites that offer live streaming:

http://www.audiotreemusic.com/audiotree_live.html (where I just watched the Empires set)

http://www.vokle.com/ (where Tony and Matt conducted their chat with the help of Rockridge Music)

http://www.facebook.com/GeorgeStanfordMusic?sk=app_142371818162 Livestream where George Stanford plays some Sunday afternoons at 3pm

http://www.ustream.tv/ (where Chris Wilson of Endoxi hosts his Wilson Wednesdays: http://www.ustream.tv/channel/wilson-s-room#utm_campaign=www.facebook.com&utm_source=8134646&utm_medium=social

http://www.justin.tv/ (where I was once caught singing back up on stage…thinking it was just to the friends I had in the small room…ha)
ALSO where San Diego music guru Lauren Scheff (ScheffXP) often streams. Monday nights with the incredibly entertaining Kevin Martin. (http://www.justin.tv/scheffxp)

 

~ Kristen

 

because I couldn’t resist:

Kristen’s Top 10 Sets of SXSW ’11

I’m still working on my annual SXSW Mix. It’s shaping up to be mostly new artists that I’d never heard of before or that really came to my attention at SXSW this year. As excited as I am about all my new discoveries, it occurred to me that some of my very favorite experiences of the festival aren’t represented. As such, I was inspired to make a separate list of my top 10 sets of SXSW ’11.

1. Queen Caveat at Thirsty Nickel

It was their first set at SXSW and I was just SOOOO excited that they were there and that I was there and that everything was happening. The venue itself added the additional bonus of watching Lauren masterfully deal with an awkwardly placed banister AND allowed me to watch all the people walking past, stopping, and being drawn to the window by the music…LOVE watching new people fall in love with my favorite bands! It was a SXSW moment for sure.

 

2. The Silent Comedy at Peckerheads

I saw The Silent Comedy more than any other band at SXSW. Each set they did was slightly different but their final show at Antiquiet’s The Axis of Audio showcase was the most unique, featuring some new tunes as well as other songs not found in their typical setlist. It also helps that the set was dedicated to me (and Amanda and our TSC gang).

Check out the video our dear friend Trina (The Owl Magazine) took of TSC’s newer song “Wine”

 

3. Empires at The Trophy Room

Empires was one of the bands I was most looking forward to seeing play. They had grabbed my attention when they played in LA with Biffy Clyro and seeing them in Austin reminded me why I loved them so much. The way the band, especially singer Sean Van Vleet connects to the audience, drawing them in with an intense energy…it was one of those sets in which I became completely lost in the music.

 

4. Dead Sara at Lipstick 24

After a solid day of amazing music, it was incredibly difficult for a band to completely knock me off my feet (as many highly anticipated bands failed to do). Yet Dead Sara had me head banging and rocking out with their 1am set Weds night (or I suppose Thursday morning) at Lipstick 24 like no other. I think this was the hardest I rocked out all week…

 

5. The Kin at Antone’s


You know I love The Kin. Their performance at Antone’s was one of the most memorable of the week. I finally got to hear some of their new material, the audience was completely enraptured especially when they got off the stage to come sing a song on the floor, and Isaac managed to “re-create” his didgeridoo using some sort of pipe that could be found out in the street. When they played “Waterbreaks”, I was SO happy to be seeing them play again (it had been awhile…they’re based in NYC), it brought tears to my eyes.

 

 

6. Doll and The Kicks at Antone’s

I had NO CLUE that Doll & The Kicks was even going to be at SXSW, let alone be playing at the British Invasion showcase I was attending on Thursday. It was the best surprise of the week! Their new song “Skeleton” is fantastic and must be downloaded now…!

 

7. AWOLNATION at Rusty Spurs

I had never seen AWOLNATION before, but I’d been enjoying their tunes. I liked the band, but what really gets this set on my top 10 list was the intensity of the audience. I love being swept up in that kind of energy…it was insane without me ever feeling physically threatened. The perfect audience. When they played “Sail”, I was taken to another place…and I couldn’t even really see the stage!

here’s a taste:

 

 

8. Twin Atlantic at Antone’s


Most of the bands on this list are ones I’d seen (or at least known) before SXSW. It’s easier to really get into a set if you know the songs. But Twin Atlantic I had never really heard of before arriving in Austin. I had come across one of their tunes and that was enough to put them on my watch list. By the end of their set at Antone’s, they were my fave new discovery from SXSW.

 

 

9. Viva City at The Dart Music International House


Tuesday afternoon, before the music festivities officially began, we gathered to go see Viva City at The Dart Music International House. I saw this UK act several times over the course of my stay in Austin, and each time it was a crazy fun dance party, but this very first set marked the beginning of my SXSW experience and it will never be forgotten.

 

 

10. Brian Wright at St. David’s Sanctuary

That whole evening at St. David’s Sanctuary (one of the Hotel Cafe showcases) was quite magical (see story), but I think my favorite set of the bunch was Brian Wright’s. It’s hard to describe why the set moved me so much. I have seen Brian play plenty of times, but something about this place and time and my specific mood really elevated his performance and songs. It was truly a perfect SXSW moment.

 

Seriously, is it time for SXSW 2012 yet?

 

~ Kristen